Here is a really fun commercial that I was the DP for, filmed recently in Queenstown, New Zealand.
It was Directed by Myles Conti, and Produced by Conti Bros Films.
I filmed it using two cameras. A Red Weapon 6K was mounted in the MoVI M15 on the tracking buggy.
A Red Dragon 6K was kept in Production mode, so that I could move quickly between the set ups.
Drone filming was performed by Queenstown based Overview using a DJI Inspire 2 filming in 5.2K RAW. The drone images cut in perfectly with the Red cameras.
It was a cold tough environment for the crew to work in, and even tougher on our athletes who had to run up the hill all day. A massive credit to them!
I am very proud to have been the Cinematographer on this clip with Mad Mike Whiddett and his Rad Bul.
Director Ryan Heron and myself had previously shot the Conquer the Crown clip, and it was great to work together with Mike again.
We had one day to film the clip, and we could only drive the car on the track between 8am and 6pm, so we needed to be fully prepared.
To achieve this tight schedule Ryan and I broke down the sections with the team and we shot only what we needed.
I used several different cameras, and I kept the camera and grip teams busy by shooting one setup while they were prepping and rigging the next.
I am very happy that we managed to keep the quality high. It's a testament to the talented crew behind the scenes. The reaction to this film by the fans has been great!
To see some more images there is a terrific Behind the Scenes video from Andy Deere and Heath Patterson.
I was honoured to be asked to film this global commercial for Mitsubishi Motors for the terrific new Outlander PHEV 2016. I had previously shot the Japanese release commercial for the 2014 model.
Masaki Yamazaki was the Director, and I really enjoyed working with him again.
We filmed in Melbourne, Australia, and it was a two day shoot. I was already in Sydney with my Grip, Josh Dunn, so we flew to Melbourne with the camera equipment and worked in with the local crew.
For the close ups of the talent I used a low loader and the MoVI M15. This gave me control over the lighting, and I was able to achieve a controlled camera position easily.
The tracking shots were filmed from an open tracking vehicle and I used a Flight Head 5. It was a really great option on the streets of Melbourne as we had a rolling traffic block, with trams and cars doing hook turns to dodge.
Melbourne was a great place to work. I really enjoyed the city and the local crew were excellent. Hopefully I get to film there again one day! (Thanks very much to 2nd AC Michelle Marchant for the photos).